On the standout "On Melancholy Hill", he recalls the swooning strains of one of his heroes, Scott Walker. Albarn also sounds more comfortable as a leader here than he has in some time. It's a noble conceit, if a transient one.Īlong with a typically diverse band of collaborators, Albarn dips into Krautrock, funk, and dubstep, as well as the weary, more melodic music he's been perfecting for much of last decade- sort of an electronic take on baroque pop. So Albarn devised Plastic Beach, a loose enviromental-song cycle warning against disposability. Hewlett, the celebrated Tank Girl co-creator, told The Observer last July, "Gorillaz now to us is not like four animated characters anymore- it's more like an organization of people doing new projects." The project was to be called Carousel, presented by, but not performed by, Gorillaz. So why make this a Gorillaz album in the first place? It wasn't meant to be one. The one-time Blur frontman has transcended some of the post-modern artifice of this project, and created the group's most affecting and uniquely inviting album. are ditching the idea of writing pop songs a cartoon band might front anyway. Damon Albarn and Jamie Hewlett's animated misfits have always been mainly interesting as a concept, and on much of the third Gorillaz album, Plastic Beach, it feels like Albarn and co.
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